“Using various inks, he draws directly on slightly blurry C-print enlargements of photographs, and often adds splotches and streaks of photographic dye. Almost always, the underlying photographic images have much to do with personal and family history: a best friend from Bremers teenage years, a shot of himself as a kid, a view of a room taken from under his grandmothers piano, his family on vaction, a former girlfriend.”
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